New Salted-paper Prints
I spent yesterday afternoon making six salted-paper prints. All of these prints are on 8×10 inch sheets of Hahnemühle Platinum Rag paper. The image size is 6×7.5 inches or 6.5
Photographer
I spent yesterday afternoon making six salted-paper prints. All of these prints are on 8×10 inch sheets of Hahnemühle Platinum Rag paper. The image size is 6×7.5 inches or 6.5
The last Sunday in April every year is Worldwide Pinhole Photography Day (WPPD). The idea is that folks make a photograph using a lensless camera and upload a single photo
I have not made a salted-paper print in quite some time (several months). I guess that I have been too busy toning cyanotypes!! However, I made two exposures over the
Cliche verre (literately “glass print” in French) is a type of photogram (camera less image). Traditionally, a glass plate was coated with an opaque material and then an image was
I made some cyanotypes from the images I captured at the Cornish Fair a few weeks back.
Cyanotype, invented in 1842 by John Herschel, is an iron-based photosenstive system resulting in images formed from Prussian Blue. Photograms are made by placing opaque or translucent items directly on
I have spent the past week making two batches of toned cyanotypes. The first three prints (square images showing the entire sheet of paper) are from exposures made last weekend
I haven’t made a cyanotype in more than four years. However, about six weeks ago an on-line friend posted a really nice cyanotype that he had toned with ‘sumac gall’.
I spent yesterday afternoon in my basement dim room for the first time in several months. I made six small (4×5 inch) platinum/palladium prints of exposures I made back in
Early spring, a season of gray and brown, worse for the psyche than November. What a feeling of relief when yellow explosions of forsythia and daffodils finally appear beginning in